Commune Design Gives Breadblok Bakery a Permanent Home in Santa Monica

Table Of Content

• In the Studio: Wylie Gelber
• Product summary
• In the Studio: Whitman Shenk
• Fala Atelier transforms Porto warehouse into "house of many faces"
• Commune Design Brings Western Charm to a Spanish Colonial Revival House in Beverly Hills
• Kitchen of the Week: A Colorful 1951 Belgian Design Classic Masterfully Updated
• Examples of Communal Living Spaces

Commune design is, therefore, not just a response to the challenges of our time, but also a seed of hope for a more connected, creative, and equitable future. Northern California’s fertile design heritage and progressive cultural climate have been a lodestar for Commune since the inception of the practice, and many of the firm’s most trusted collaborators and craftspeople hail from the region. Their collective talents are on full, vibrant display throughout the home. Oakland-based Theodore Ellison created the vivid glass rondels that adorn the front door and bath screen, as well as the glass mosaic tiles that clad the fireplace. The dining table was lovingly crafted by Tripp Carpenter, son of the great furniture maker and Bolinas pillar Arthur Espenet Carpenter. There are fields of Heath Ceramics tile, JB Blunk sculptures, an Ido Yoshimoto cocktail table, and redwood lounge chairs by Jesse Schlesinger.

In the Studio: Wylie Gelber

Ideas to update and improve your outdoor space with hardscaping elements. Commune’s design ultimately walks the line between traditional and modern with aplomb, satisfying the predilections of clients whose tastes tend to hew in different directions. Ingrid Abramovitch, the Executive Editor at ELLE Decor, writes about design, architecture, renovation, and lifestyle, and is the author of several books on design including Restoring a House in the City. She chose the raspberry upholstery on the living room’s armchairs and the striking turquoise hue of the floor tiles in the master bath, which were inspired by the color of a piece of Bauer pottery she picked up at a flea market.

Product summary

Our clients are so engaged and part of the process, they’re able to grow into the design seamlessly. Commune Design, founded by partners Roman Alonso and Steven Johanknecht have devised its own definition of California cool. The two, who first met in the early ’90s while working at Barneys New York, ventured out on their own—and out West—in 2004, and bohemian chic has been the name of the game ever since. From interiors to product design, each of their projects reflects an unfussy, rustic charm that remains timeless.

In the Studio: Whitman Shenk

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At the time designers Roman Alonso and Steven Johanknecht arrived in Los Angeles—in 1998 and 2002, respectively—the city was still a relatively sleepy industry town, however high-profile its industry. This was before a host of major New York and European art galleries rushed to open L.A. Outposts; before elite fashion brands started cooking up reasons to head west for splashy parties in hip warehouses; and before a cavalcade of international starchitects on the order of Renzo Piano, Peter Zumthor, and Herzog & de Meuron rolled into town. The Roam Co-Living is a network of co-living spaces situated in cities around the world.

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AD PRO caught up with Commune’s Roman Alonso to hear about the project’s backstory and inspiration. The decorative party, however, is not reserved exclusively for denizens of California. “We wanted to explore the connection between West Marin and Scandinavian summer homes, another one of our obsessions,” Alonso says. A select number of pieces that fall outside the Scandi/Cali range—bulbous light fixtures by Gino Sarfatti, an antique Tiffany Studios pendant lamp, wallpaper by British designer Marthe Armitage—pepper the playful mix.

Shops, hotels, restaurants and points of interest for the home and garden obsessed on the go. When you register as a free Member of the Remodelista family of websites (Remodelista, Gardenista, and The Organized Home), you gain access to all current posts plus 10 archived posts per month, our internal bookmarking tool, and the community bulletin board. SOURCEBOOK FOR THE CONSIDERED HOMEThe one-stop sourcebook for the considered home, guiding readers artfully through the remodeling and design process.

Commune Design Makes an Unforgettable New Restaurant from a Chef's Memories in Atlanta - Interior Design - Interior Design

Commune Design Makes an Unforgettable New Restaurant from a Chef's Memories in Atlanta - Interior Design.

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Examples of Communal Living Spaces

The primary bath is outfitted with a John Wigmore light box, wallpaper by Marthe Armitage, Heath Ceramics tile, and a glass screen by Theodore Ellison Designs. The primary bedroom has a Tomlinson Woodworks walnut side table, curtains and table lampshade by Josef Frank for Svenskt Tenn, a Swedish flat-weave rug by Doris Leslie Blau, and a bedcover by Adam Pogue. Artworks by Lena Wolff (above bed) and Ruth Charlotte Kneass (mobile). In Roman’s Los Angeles kitchen, the cabinets are replicas of the originals from 1966 and painted in the colors Manhattan Bridge and Home by Drikolor. The large print is by Sister Corita, and the vintage Fillmore posters are from a collection that was started back in New York in the 1990s.

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The ReGen Village also promotes community involvement and social cohesion by providing shared spaces for recreation, learning, and cultural activities. His cowboy motifs influenced numerous details throughout the house, from the family room’s hand-stenciled cabinetry and ceiling beams to the whipstitching on the sconce shades and the moccasin-like embroidery on a pair of armchairs. The master bed has a headboard in a Clarence House mohair and is topped with pillows in fabrics from Schumacher and Pierre Frey.

Communal living emphasized cooperation, creativity, and collaboration. But as the decades passed, communes became less popular, and many of them dissolved due to internal conflicts or external pressures. However, the ethos of communal living never disappeared entirely, and today we witness a resurgence of interest in collaborative living spaces. The California look is a design style that is characterized by a mix of rustic and modern elements, natural materials, warm colors, and light-filled spaces that create a relaxed, indoor-outdoor feel.

The family room’s sofa in an Edelman leather and armchairs in a Kravet stripe are by Ralph Lauren Home. Rudin, the custom walnut cocktail table is by Commune Design, the sconces are by Paul Ferrante, the custom rug is by Amadi Carpets, and the Roman shades on the original leaded windows are in a Colefax and Fowler fabric. The Thomas C. Molesworth–inspired motifs on the ceiling beams and custom cabinetry were painted by artist Nic Valle, the ceiling is sheathed in a Ralph Lauren Home grass cloth, and the cowboy ink drawings are by Edward Borein. Some key elements of Commune Design's approach to the California look include using natural and sustainable materials, creating a connection between indoor and outdoor spaces, and incorporating vintage and handmade pieces for a personal touch.

The sharing of resources, such as common spaces, tools, and food, can also reduce the environmental impact of individual consumption, and promote sustainability. Furthermore, living in a community can foster creativity, collaboration, and learning, as people from diverse backgrounds and skillsets come together and share their knowledge and experiences. Finally, communal living can offer economic advantages, such as lower rent, shared utilities, and affordable healthcare.

At its heart, this project is a love letter to Northern California’s West Marin region—a paean to the area’s history, landscape, craft traditions, and bohemian soul. Alex Riley, a prominent local designer and poet of organic architecture, built the original 1,000-square-foot house for himself in the 1960s. When the property changed hands in the late 1980s, Riley added a primary suite and a compact guest cottage for the new owners, evolving his signature design language of clerestories and trusses.

Crafted in earthy hues of moss, mauve, copper, and chocolate brown, the floor covering range includes the fringed Wilcox and Harper, characterized by its subtly raised and two-toned grid pattern. Colonial Williamsburg, in Virginia, transports visitors back to 18th-century America, and the living history museum’s Williamsburg branded products serve as an extended history lesson. Schumacher & Co. produced Williamsburg licensed fabrics, and a dozen years later the design house is back at it with Homecoming, an expansive assemblage of fabrics, wallcoverings, trims, and pillows that pay homage to the past. The updated florals, stripes, checks, and scallops include the pineapple-emblazoned Lafayette Botanical, derived from an 18th-century French chintz, as well as the Dandridge Damask, developed from the fragment of a gown once worn by Martha Washington.